
Lars Gets Loud Over The Loudness War: “Listen, there’s nothing up with the audio quality. It’s 2008, and that’s how we make records. [Producer] Rick Rubin’s whole thing is to try and get it to sound lively, to get it to sound loud, to get it to sound exciting, to get it to jump out of the speakers. Of course, I’ve heard that there are a few people complaining. But I’ve been listening to it the last couple of days in my car, and it sounds fuckin’ smokin’.
“Somebody told me about [people complaining that the Guitar Hero version of Death Magnetic sounds better]. Listen, what are you going to do? A lot of people say [the CD] sounds great, and a few people say it doesn’t, and that’s OK. You gotta remember, when we put out …And Justice for All, people were going, ‘What happened to these guys, this record? There’s no bass on it. It sounds like it was recorded in a fuckin’ garage on an eight-track.’ And now …And Justice for All is sort of the seminal Metallica record that supposedly influenced a whole generation of death-metal bands. The difference between back then and now is the Internet.
“The Internet gives everybody a voice, and the Internet has a tendency to give the complainers a louder voice. Listen, I can’t keep up with this shit. Part of being in Metallica is that there’s always somebody who’s got a problem with something that you’re doing: ‘James Hetfield had something for breakfast that I don’t like.’ That’s part of the ride.
“I will say that the overwhelming response to this new record has exceeded even our expectations as far as how positive it is. So I’m not gonna sit here and get caught up in whether [the sound] ‘clips’ or it doesn’t ‘clip.’ I don’t know what kind of stereos these people listen on. Me and James [Hetfield] made a deal that we would hang back a little and not get in the way of whatever Rick’s vision was. That’s not to put it on him - it’s our record, I’ll take the hit, but we wanted to roll with Rick’s vision of how Metallica would sound.” (Blender)
Lars is absolutely right, the record sounds smokin, regardless, put a leash on the mastering engineers. I have a home stereo, and a solid system in my car with an iPod connection. It’s difficult to gauge the sonic quality when listening to music through computer speakers or iPod earphones. Most of the complainers were probably using these devices. Regardless, the internet does provide a voice for the cowards who would never raise their hand in the classroom. The critics are now voicing their anger towards AC/DC’s unwillingless to release their albums on iTunes. Fans of AC/DC will purchase their albums and college boys may want to download ” You Shook Me All Night Long” for their friday night frat party. I don’t mind AC/DC railing against the system. Heck, Kurt Cobain couldn’t stand the thought of a hyper-sexaulized frat boy humping to “Territorial Pissings”. These are true convictions of an artist not tied to financial gains. By and large, the internet would have hated Cobain.